I:
- kill! fight! death!
- (enfp, future peripatetic and/or cat owner)
Wednesday, July 14, 2010
Deliberation!
Freddie Seigel Will Die Today.
In three seconds, at 7:45, the digital clock on the desk beside his bed will sound an alarm.
Outside his window, he will see the skies drained of their color by the torrential downpour.
Freddie will then think about his job.
Freddie will feel intense hatred toward his job.
Freddie will feel at a lost because he cannot do something useful for humanity.
Freddie will want to blame organized religion and the Republican Party as he reaches to the far end of the bed for week-old khakis and a dress shirt he doesn’t remember wearing for the past three days.
Freddie will walk out of his bedroom and down the stairs, wondering if anybody will remember his clothes from the last time he wore them.
He will walk into his kitchen, wondering whether it is true that girls have better memories than boys.
And then, as he pours Honey Nut Cheerios into a glass bowl sitting on the table from last night’s dinner, he will wonder whether gay men, being more feminine, have better memories than straight men like himself.
And now, as he opens the refrigerator to reach for whole milk, he will wonder if someone as wonderfully ditzy as Loraine Cagley can remember better than his probably homosexual boss whether the shirt he had on was clean based simply on the fact that Loraine had two X chromosomes and his boss only had one.
And as he walks over to the dishwasher to grab a spoon, he will think about how hot Loraine Cagley would look on all fours, with cat ears, a cat tail, and possibly retractable claws and hair over her entire body.
As he grabs the spoon and turns to walk back, he will stop wondering, because I (Death) will be standing on his front porch in the rain and ringing his doorbell.
As he walks to the door, he will mutter to himself: he is just a cat person, that’s all.
He will then stop, wonder, bend over to look through the peephole, and behold: a skeleton in the rain, clad in a soaked T-shirt (“I hate myself and want to die”) soaked ripped jeans and soaked Doc Marten boots.
At this point, Freddie, slightly surprised, will hesitate, and mull (for seven seconds) over the nature of this morning guest. I will continue to press the doorbell.
Freddie will then decide that, since his guest is clad in something as harmless as a T-shirt and had the courtesy to ring the doorbell, his guest seems harmless enough, and he will proceed to open the door.
Then “Good morning,” I will begin. “Is this Freddie Seigel?”
“Well! Good morning, and who might you be?” And Freddie, slightly nervous, will glance down to read the sharpie on my tee shirt and grin.
“I’m Death. How do you feel right now?”
Freddie will drop his smile and turn very pale. Nevertheless, he will force a smile. “Wow. Sort of scared, I guess. Death, huh? Did you ever think about wearing a mask?” He will laugh nervously
I have, if you must know. I have a Jesus, a Buddha, and a certain goth girl in her early teens, but Freddie is an atheist.
“Hey, come right on in, though,” Freddie Seigel will say after a bit. “It’s an honor to be meeting someone like you—I mean, as scared as I am, this is exhilarating!—but you do have a moment to spare, I hope?”
“All day.”
“Great! Wow! I mean, meeting Death himself! I don’t even know where to begin!” (as we walk through his front door) “So how exactly do I die?” (as we gather around his dining room table and he picks up the spoon)
“Concussion.”
“Goddamn! How anticlimactic! And say, how exactly does this fate thing work? Let’s say the concussion happens as a result of a fall, right? Is that what it will be? And let’s say the fall happens as I slip walking out my front porch. If I don’t leave the house today, wouldn’t I be still alive? Or will I suddenly die?”
“You won’t suddenly die.”
“Exactly. But when you really think about it, every little move I make can result in so many changes in my environment, right? So what makes you think I’ll die today? At best, you can only say “Mr. Seigel, you have an unusually high chance of dying today because the floor is all wet outside,” right?”
“Freddie, what I find you trying to suggest is the notion that we each have the power to manipulate reality to our own choosing. You are lifting the cereal to your spoon to your mouth now because you have chosen to.”
“That’s right. And I can stop my spoon just as easily.” The cereal will drop back into his bowl with a splash. “There. I don’t see how you can deny any of this.”
“If a robot was built which could do exactly what the human brain did, would it have free will?”
“I'm not sure.”
“Every robotic action it takes, every robotic lesson it learns in every second of its life would be just a reaction it was programmed to have.”
“But that’s ridiculous. We’re not like that, see, Mr. Death. Now, look here: I feel conscious. I know I’m conscious."
"And suppose it did as well?"
"But I know I am. See, because I can control what I feel and what I think and what I believe. I program myself.”
“Freddie, why did you choose to be an atheist?”
“I looked around me and I saw tons of science and no God.”
“If God appeared, Freddie, would you believe?”
“Sure.”
“Could you still choose not to believe, though?”
“I… guess I could go into denial.”
“Look at your bowl of cereal, Freddie. Can you deny it exists?”
“I guess beliefs, then, aren't… but my thoughts are still, like…”
“When you do something, you believe it to be the best option at the time.”
“I usually do. But I can choose to think about it a bit more and come up with a better option, or I can screw the best option and have a bit of fun.”
“Your choice to think more is what you believe to be the most advantageous at the moment in time. Your desire to do what you want at the moment and disregard the consequences is what you believe to be the most advantageous at the time. They are still exactly what you’ve been programmed to do.
The word "personality", I think, could be used as a synonym to this programming code. One personality might value foresight while another values immediate gratification.
And if you argue that these personalities have been shaped, Freddie, even so: the way your personality reacts, adapts, changes to better suit its environment, is exactly as it’s been programmed to change.
Freddie, now imagine a chain of dominoes. Imagine billions and trillions and quadrillions of dominoes. Imagine a sea of dominoes, of microscopic dominoes, each pushing into the next. Imagine yourself in this—”
Freddie will shake his head now. “But don’t you get it, Death? I don’t feel like dominoes. I feel like a hand pushing the dominoes,” he will say. He will pause, because of the ridiculousness of what he just said.
I will feel a bit guilty. "Are you still scared, Freddie?"
He will glance at a clock: 8:01. “Hey. Stay here if you’d like to. I’ll have to get going.”
He will walk upstairs to brush his teeth. In minutes, he will be back, and headed for the door.
“I like you, Death. You’re a good guy. A good chatter. So long? See you when I get back? Let's talk more on this.”
“Are you scared, Freddie?” (he will turn) “I often think I'm wrong. Because--to think the universe happened to fall together with all these rules just right, and somewhere in the middle a blue planet appears where beings evolve to the degree that they eventually attain consciousness, or even an illusion of consciousness, Freddie--”
“You sound like a Creationist pamphlet. What’s all this, all now?”
“Honest: are you scared Freddie?”
“Still a bit.”
“Well." And now I will pause. "What if I said you win? You have free will. You have a soul. You’ll see Loraine one day.”
“Shut up.”
“There is a God.” I will unwittingly let out a chuckle.
He smirks. “You’re lying.”
I will begin to laugh hysterically.
“Freddie, I was only kidding,” I will manage to say between peals of laughter.
I will continue laughing until he closes the door on me.
Freddie will enter his grey Honda Civic and back it up into the rainy streets.
He will wonder if he should take some time off today to write a will as he makes his way through the rainy suburban neighborhood.
He will decide it is safest if he drives slowly today as his car turns up the ramp and onto the highway.
He will drive at 30 miles an hour across the highway, so that it will already be 8:25 by the time he arrives downtown, five minutes before his work begins.
He will worry now about whether he will make it there on time. At 8:27, however, he will decide that arriving late was just a little bit better than dying from a concussion.
Just then, he will notice the cat running across the road.
He will step on the brakes and turn sharply to the left.
His car will hydroplane, at only 20 miles an hour.
In the opposite lane, a Toyota Supra will be waiting.
In the seconds before the collision, he will think about the ridiculousness of the events surrounding his death.
He will think: the cat! Had I not stopped for the cat, and had I been a dog person from the start--!
He will think: had I taken the time to pick out my clothes this morning, or had I waited a little longer at the door for Death, or had I driven just a bit faster or slower, even just by a second--! But oh! Fatalism! Colliding dominoes! How I do wish for an afterlife!
Now pan the shot. Slow motion, gradually grinding down to still-frames:
Shot 1: The cars make contact
Shot 2: The side of his car and the front of the Toyota crumple. His head swings toward the collision.
Shot 3: The cars continue crumpling. His head swings away.
Resume at normal speed. The sound of glass breaking, tires squeaking, metal crunching.
Freddie will now be feeling dizzy from shock and fighting to stay conscious.
He will look around to find many cars stopping around him.
He will loook down, and his shirt is soaked in blood. He will not feel pain.
As he starts to pass out, he will look up for a few seconds to a light shining through the clouds. It will be getting steadily brighter. As everything else drops away, he will wonder if I was right and not kidding after all about God, and he will try to believe it is the light of Jesus Christ, the Son of God, and maybe Loraine Cagley will see him again, oh, Loraine!
It will actually just be the sun, but fortunately, he will never find out.
At 8:31 on November 24, 2010, by a traffic light in sunny downtown Richmond, Virginia, Freddie Seigel will happily lose consciousness forever believing in Jesus Christ.
In the ten years following his death, his body will be eaten by all sorts of invertebrates.
Loraine Cagley will be horrified at first, but in another ten years she will marry a better man, a dog person, and they will live happily without Freddie.
In yet another ten years, almost all the matter from Freddie’s body will have been turned into all sorts of useful things, like grass and trees and animals.
Right now, however, none of this has happened yet.
Freddie Seigel is still a man who is 5 feet seven inches tall, 142 pounds, 32 years old, an enneagram type 7, a Myers Briggs ESTP, atheistic, dating Loraine Cagley from accounting, and struggling to come to terms with a catgirl fetish, which he fears may develop into bestiality if left unchecked.
Right now, in the second-floor bedroom of a two-story apartment building at 12256 Angel Wing Court in Richmond, Virginia, of the United States of America, on a rainy November 24, 2010, at exactly 7:44:57, Freddie Seigel is sleeping in a pair of Joe Boxer boxers.
In his dreams, he is falling at 100 miles an hour, with nothing to hold on to.
Tuesday, July 13, 2010
Excerpt: The Dada Manifesto
DADA EXCITES EVERYTHINGDADA knows everything. DADA spits everything out.BUT . . . . . . . . .HAS DADA EVER SPOKEN TO YOU:
about Italy
about accordions
about women's pants
about the fatherland
about sardines
about Fiume
about Art (you exaggerate my friend)
about gentleness
about D'Annunzio
what a horror
about heroism
about mustaches
about lewdness
about sleeping with Verlaine
about the ideal (it's nice)
about Massachusetts
about the past
about odors
about salads
about genius, about genius, about genius
about the eight-hour day
about the Parma violetsNEVER NEVER NEVERDADA doesn't speak. DADA has no fixed idea. DADA doesn't catch flies.THE MINISTRY IS OVERTURNED. BY WHOM?BY DADAThe Futurist is dead. Of What? Of DADA
A Young girl commits suicide. Because of What? DADA
The spirits are telephoned. Who invented it? DADA
Someone walks on your feet. It's DADA
If you have serious ideas about life,
If you make artistic discoveries
and if all of a sudden your head begins to crackle with laughter,
If you find all your ideas useless and ridiculous, know thatIT IS DADA BEGINNING TO SPEAK TO YOUcubism constructs a cathedral of artistic liver pasteWHAT DOES DADA DO?expressionism poisons artistic sardinesWHAT DOES DADA DO?simultaneism is still at its first artistic communionWHAT DOES DADA DO?futurism wants to mount in an artistic lyricism-elevatorWHAT DOES DADA DO?unanism embraces allism and fishes with an artistic lineWHAT DOES DADA DO?neo-classicism discovers the good deeds of artistic artWHAT DOES DADA DO?paroxysm makes a trust of all artistic cheesesWHAT DOES DADA DO?ultraism recommends the mixture of these seven artistic thingsWHAT DOES DADA DO?creationism vorticism imagism also propose some artistic recipesWHAT DOES DADA DO?WHAT DOES DADA DO?
50 francs reward to the person who finds the best
way to explain DADA to usDada passes everything through a new net.
Dada is the bitterness which opens its laugh on all that which has been made consecrated forgotten in our language in our brain in our habits.
It says to you: There is Humanity and the lovely idiocies which have made it happy to this advanced ageDADA HAS ALWAYS EXISTED
THE HOLY VIRGIN WAS ALREADY A DADAISTDADA IS NEVER RIGHTCitizens, comrades, ladies, gentlemenBeware of forgeries!Imitators of DADA want to present DADA in an artistic form which it has never had
CITIZENS,You are presented today in a pornographic form, a vulgar and baroque spirit which is not the PURE IDIOCY claimed by DADABUT DOGMATISM AND PRETENTIOUS IMBECILITY
Monday, July 12, 2010
I bought myself an ice cream and I walked up to her, she sitting framed by the night window, and I asked her if she still wanted to go on the road trip we talked about. She turned and got real surprised, and laughed and punched air as she said my name. She was real glad to see me at a time like that, she said in short bursts, and she asked me what it was all like where I went to high school and college, and I told her I had really been fighting in Vietnam. She looked sort of upset that I didn’t tell her that.
We talked for an hour more. She told me all about how she had just recently joined this band after all this time, and about her starting high school, and about getting a part-time job at a bookstore, and I told her felt real happy for her.
I tried asking her about the road trip again.
Of course she still wanted to go, she said, but she wasn’t so sure if she could pull it off. And I told her it would be nice if it could all just work out like that, and then maybe we could go off after the trip and get married somewhere and we could live in an apartment in the middle of that city with all the cars and people rushing by every day, and we could get her beloved Mr. Dewinter then.
She just laughed, said maybe.
So I asked her if she still liked me.
She paused for a great deal, and she asked me if I’d be fine if she didn’t.
And I said yeah, I think so.
I said I wasn’t sure if I liked her a great deal anymore, anyway, but I was just curious.
And she said because it was just chemicals in your brain, right? And they all change. And I shrug, said yeah. And now she avoids my eyes. I asked her if she liked me after all this time, and she shook her head not really.
I wasn’t even sad then, but this odd feeling sort of like frustrated-from-skipping-breakfast hunger came over me, and I felt like screaming, bawling, honest to God.
So I tried to bring up another topic, and I told her the world outside looked pretty killer, but she shook her head stop it, was staring deep into the linoleum expanse with these watery eyes.
So then I told her she was still a pretty amazing person even now.
She looked pained for a moment.
And I asked her what time she had to be home. She glanced at the clock by the door, and rubbed her eyes, and told me eleven real quietly,
and she picked up her fries and got up, because it was already half past 10.
And when we both got to the door, I asked her if I could walk her home, and she nods.
Well, on the way home, we saw a sort of fat cat, and she wanted to give it some fries, but when she got real close, it ran down the street.
So we chased it all over before we lost it, and then we spent a bit trying to find it, until it was all past eleven.
And right then, we figured we’d better get home pretty fast.
And she turned to me right then, and she told me to not be sad, okay?
I told her I wasn’t sad, it was just I felt this feeling that was a lot like what you feel when you’ve skipped breakfast and you’re real angry at your hunger, you know? She said well that’s good, then—she was feeling a bit of that real strong back at McDonalds.
And then looking real frustrated, she said she wished she wanted to do something great with me real bad, she wasn’t sure what, paused.
I nodded real mock-sincerely, pretended I understood exactly what she was saying, and she laughed.
I told her I suppose I should leave you here now. She nodded.
So I started turning back for my own house.
When I got back, I really didn’t care much about the road trip anymore, or Mr. Dewinter, was all, though my stomach was telling me otherwise.)
Thursday, July 8, 2010
The aniblogosphere and TypoC

Monday, July 5, 2010
Saturday, July 3, 2010
My Id's taste in music.
First up under the operating table: my taste in music, or rather: my Id's taste in music--something of a complement to whatever somethingorothers I wrote just a few weeks back.
So here's the question: what sort of music do I really enjoy listening to--by which I mean the sort of stuff I'll love regardless of my ENTP friend's opinions, the stuff I might even heap one hot coal on myself over for every goosebump I get.
Here's the lineup (and I might regret posting this):
-Numb, by Linkin Park
-Love Lockdown, by Kanye West
-It's My Life, by Bon Jovi
-Drowning, by the Backstreet Boys
-It's Not a Fashion Statement, It's a Deathwish, by My Chemical Romance
(or that song which has retained its status as my favorite song for well over a year now)
-Invincible, by Muse
-Kiss the Rain, by Yiruma
I have more, but I feel I'm on the brink of losing my indie-music-snob-dom...
So what sort of music do I really enjoy listening to? And what is it I love in those songs?
1. Emotionality (or the reason I believe I'll never come to appreciate IDM):
I want to know about the musician.
I want feel whatever it was the musician was feeling when he or she wrote the song.
I care about the vocals and the words because I feel as if they have an ability to move listeners like no other part of the music. I'm not certain, but I think much of the feelings brought about by other instruments are heavily tied to the listener's culture and whatever associations it has made for the listener.
I've written a whole post about this a while back, and I'm not feeling a need to elaborate.
2. Melodiousness (Kill me, ENTP friend!):
Much to my own chagrin, I can only get into a song if it's harmonious enough.
As much as I'd love to love Joy Division, something about the melody in "Love Will Tear Us Apart" seems off. As much as I love Radiohead, I can't stand "Faust Arp" for the same reason. And the discordant music I pride myself on loving--Crystal Castles, Nine Inch Nails--is actually quite conventional (and sometimes surprisingly cheesy--"Untrust Us" and the entirety of Pretty Hate Machine) melodically.
3. Catchiness (or why "Grounds for Divorce" by Elbow makes me happier after a listen than anything by Jeff Mangum):
I have a short attention span. I like songs that propel themselves forward for me with simple beats--I like electronic body music and KMFDM dancefloor hits. I like Britney Spears' "Circus." I like "Let It Rock." I like the Backstreet Boys.
(Side note: I found myself distancing myself from the Pink Floyd and Dream Theatre crowd as soon as my ENTP friend called them "cheesy." Sadly, progressive anything, in my own observation, is usually antithetical to catchy. )
And there we have it: emotionality, melodiousness, catchiness--the very antithesis of the aristocratic "art" music I try to listen to these days, and also (sadly) the reason I enjoy music much less than I did before.
Wow, I'm glad I got all that out. Now let's talk about our weighty, intellectual topics and their implications again, while listening to "Oh, Comely."